🎾 Draw In Perspective Step By Step, Learn Easily How To Draw In Perspective¶
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Draw In Perspective Step By Step, Learn Easily How To Draw In Perspective — tài liệu 102 trang từ thư viện sách tennis.
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Tóm tắt nội dung (trích từ tài liệu gốc): Draw in Perspective Step by Step, Learn Easily How to Draw in Perspective By Justin Dublin Copyright @2015 All rights reserved. No part of this book may be reproduced in any form or by any means without permission in writing from the publisher, Justin Dublin. If you like my book, please leave a positive review on Amazon. I would appreciate it a lot. Thanks! This is the link: Leave your review here. Thank you! Subscribe to my blog: lifechangingebooksblog.blogspot.com You can also visit my Facebook page. Or you can look at my Pinterest board. Take a look at these other books about art and drawin
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Draw in Perspective
Step by Step, Learn Easily How to Draw in Perspective
By Justin Dublin Copyright @2015
All rights reserved. No part of this book may be reproduced in any form or by
any means without permission in writing from the publisher, Justin Dublin.
If you like my book, please leave a positive review on Amazon. I would
appreciate it a lot. Thanks! This is the link: Leave your review here. Thank
you!
Subscribe to my blog: lifechangingebooksblog.blogspot.com
You can also visit my Facebook page.
Or you can look at my Pinterest board.
Take a look at these other books about art and drawing too: How to Draw
Realistic Pencil Portraits
Methods to Make Money with Drawing Portraits
Draw Faces
Draw Action Figures
Contents: Introduction
Chapter 1: The Basics of Perspective Chapter 2: The Frog's 1-Point Perspective
Chapter 3: The Bird's 1-Point Perspective Chapter 4: The Frog's 2-Point
Perspective Chapter 5: The Bird's 2-Point Perspective Chapter 6: The Frog's 3-
Point Perspective Chapter 7: The Bird's 3-Point Perspective
Introduction
How would you like to become good at drawing in perspective?
You did the right thing by choosing this book. I have been teaching perspective
classes in several countries and even in different continents. Drawing in
perspective is simple once you get it. But to get to that understanding, you'll
have to follow a simple step-by-step method, so you will see what you are
actually doing. In this book, I will show you that method.
When you learn to draw in perspective, a world of easy and complicated
beautiful backgrounds opens up to you. It empowers you to create a scene, a
setting, and an atmosphere in a three-dimensional way that you weren't able to
draw before.
I put a lot of time and effort into this book. It's not a quick, sloppy little book. I
promise you that you will get good value for your initiative (and money) to buy
it. I would feel bad if I didn't live up to this promise and left you spending a few
bucks on something worthless. So trust me when I say that I will provide you
with some great content.
Thanks! Enough talk about me.... let's learn more about drawing in perspective!
I will see you in the next chapter.
Chapter 1: The Basics of Perspective
When you think of perspective, you think of depth. When you think of depth,
you think of drama, skill, and an artistic twist to an image that adds beauty and
realism to it.
Although perspective has always been around, it wasn't until the Renaissance
that a lot of artists started discovering the rules. If you ask me, it was a little odd
that some of the medieval painters who often painted Mary with the baby Jesus,
got the perspective in the background wrong. You don't have to be a genius to
figure out that something in some of those paintings was a little off. Look at this
one, for instance.
Or this one:
Clearly the artists noticed there was some kind of perspective, but they didn't
take the time to actually stage the objects to get a better understanding of it. The
result? A painting that doesn't make sense. Later, a lot of painters' eyes were
opened, and more of them started doing it correctly. Take a look at these
examples from the Renaissance. They will show you what I mean.
Perspective is everywhere. You don't need the rules per se, because you have
eyes, don't you? If you look carefully at the world around you, the correctness of
perspective makes just as much sense as gravity. Here are some images in which
I will show you how perspective is imbedded in the buildings, since reality
confirms the exactness of it without knowing the rules.
Okay, enough photographs. You get the point. What's in the distance, is smaller
and what is closer to you, appears bigger.
In the next chapter, we'll start drawing! But before we do that, let's go over the
rules. The rules and basics of perspective are simply consisting of four things: 1
A horizon (which depends on the person's perspective).
2 Vanishing points.
3 Lines that go to those points.
4 All other lines that hinge on the lines in point 3.
If you keep those in mind, you can never go wrong, but through the steps in this
book, you will be even more assured of doing it the right way and preventing
common mistakes.
Chapter 2: The Frog's 1-Point Perspective
As I pointed out in the previous chapter, the horizon depends on the viewer.
Makes sense, right? If you were flying in a helicopter, you would see a lot
farther than if you were lying on the grass. Remember this principle: The farther
you can see, the higher the horizon. The higher you are above the ground, the
higher the horizon you should draw.
So let's start with a frog's perspective. A frog is NOT high above the ground and
cannot see far. So his horizon is low. We are going to draw some houses and
other stuff on the streets, and we'll do it from the frog's perspective.
Start with a line. Don't put it high on the paper; put it near the bottom instead.
Put a dot on the line, somewhere around the middle. The dot is the vanishing
point. Most lines will go to that point.
Draw two lines, which signify the road. Then draw another two lines, close to
each other. All the lines go to the vanishing point. Then draw a few tiny lines in
the two lines in the middle. Now you have the start of a road, with broken lines
in the middle.
Draw two more lines on the side and two lines from the vanishing point going
up. You can erase some of the lines in the middle to make it real broken lines.
Hopefully you can already see where this is going. Draw two vertical lines on
the side. It doesn't have to be symmetrical or exact, as long as they are vertical.
Now draw four more vertical lines, two on each side, on the inside. Draw four
horizontal lines as shown in the picture above. It's already starting to look like
two separate houses on each side.
You can erase the horizon behind the walls of the homes, and some of the other
lines you used.
We're going to draw the roof. To determine the middle of each completely
visible house, make a cross in the middle of them, as shown above.
Now use the center of the cross, where the lines come together, and draw a
vertical line up to determine where the middle of the roofs will be.
Now that you have noticed where the center is, just draw lines from the corners
of the homes to the middle. Then draw a horizontal line on each side to finish the
roofs, as shown above.
Use the same diagonal angle of the lines from the corners to draw the roofs of
the houses in front of them. Most of the roofs of those houses aren't visible
because that's where the image got cropped off.
To decide where the windows and the doors will be, estimate how high they will
reach and then draw a line on each side from the vanishing point, as shown in
the image above.
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[Cuối tài liệu]
The image above shows that all the windows, walls, and roofs on the left and
right side go to a vanishing point. Some go the one down below, like the sides of
the walls and part lines in the windows. Others, like the bottom of the building
and the lines in the windows facing the streets, go to the nearest vanishing point.
The lines in the windows and the sideline of the buildings NOT facing the street,
go to the farthest vanishing point.
This was it. I hope you learned a lot. As you can see through these examples,
you can never go wrong IF you keep following the rules. Practice a little and I
am positive you will be a skilled artist who can draw in perspective.
Thanks again for buying my book. If you have a minute, please leave a positive
review. You can leave your review by clicking on this link: Leave your review
here. Thank you!
I take reviews seriously and always look at them. This way, you are helping me
provide you better content that you will LOVE in the future. A review doesn't
have to be long, just one or two sentences and a number of stars you find
appropriate (hopefully 5 of course).
Also, if I think your review is useful, I will mark it as "helpful." This will help
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more authors will contact you with free e-books in the future. This is how we
can help each other.
Take a look at these other books about art and drawing too:
How to Draw Realistic Pencil Portraits
Methods to Make Money with Drawing Portraits
Draw Faces
Draw Action Figures
Here is an excerpt of another book by the same publisher, How to Draw
Realistic Pencil Portraits
Of course, if you only care about the digital result, you could exaggerate the
contrast in Photoshop, Microsoft Picture Manager, or some other program. But if
you want to make the original drawing look nearly perfect, then use your B-
pencils, like a 3B or 4B, to make the dark even darker. Take a look at the
following image. If you squint your eyes, which one stands out more? The right
one of course. And that's exactly the one which shows you more how the
wrinkles in the clothes fall around the body or where the sunlight touches the
arm.
Step 9: Smudging
As you might have noticed in the picture of the guy in the previous step, there
were some wrinkles that were defined and bordered from the opposing bright
light or shadow, but there were also some, like on the shorts, that gradually
faded into the darker shade or into plain white. This fading can be done by
smudging.
Your materials don't just include your eraser, sharpener, and pencils, but also
your finger. If you're right-handed, it would be obvious to use the right pointing
finger to exercise more control; and if you're left-handed, the left one. Make
sure you don't lean with that finger on your paper. Wash it or rub it off if you
want to touch other parts of the paper.
So when do you smudge, and when is it better to use a lot of fine lines? The
answer is easy: When the surface is smooth you smudge with your finger to
create a fading effect. It's often not a good idea to smudge the hair, for instance,
because the hair consist of a lot of lines in reality anyway. It's not just one thing.
It's not so smart around the eyes or mouth either, since those are very detailed. If
the person has a beard, you would be better off drawing a lot of little lines as the
hairs.
Smudging is best used when there is a smooth surface like a skin or a subtle
wrinkle. I often smudge the shadows around the nose, or to create a flow in the
shadows on the throat, underneath the chin, or on the forehead.
If you do this, it will show that you understand the three-dimensionality of the
person you're drawing, and the surface of the smooth skin and subtle round
shapes which reflect the light in a gradual way from the one end to the other.
Hopefully your portrait is looking great by now. Get ready for the last step!
Step 10: Reflecting and Correcting
In this last step you're going to show one of the true qualities of a real artist: Not
being easily content. You might think that you've done a good job, and you
probably have, but being an artist is all about being a perfectionist. The more
precise the drawing is, the better results and reactions you'll get.
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